‘Look at this,’ the plasterer said thumping the exposed
wall, only through his thick Greek accent it sounded more like “lukathees”. ‘Is
fucking shit.’ He hit the wall with a
mallet and large chunks of plaster fell to the ground, a fluster of dust
settling in their wake.
Our plasterer, despite the way his language became increasingly
colourful over the weeks, is a nice guy who clearly took pride in his
work. His despair was directed at what
he considered more amateur attempts to create a smooth surface.
‘Lukathees, is noa way thas straight,’ he grumbled pointing
at the place where the wall met the skirting board. Perhaps it was perfect. Perhaps it wasn’t absolutely bang-on. I couldn’t really tell. ‘Fuking shet.’ He hit the wall again and more dust flecked
my hair ever greyer.
Part of me was glad that he was improving our walls, but
part of me wanted him to stop making it worse first. I mean, sure it wasn’t perfect, but then,
what is?
And there, I think, is my fundamental failing with DIY. I never actually expect things to work. I know where my limitations are. When it comes to work that I’ve done with my
hands, passable is about as good as it’s going to get.
My fiancée knew this; there were plenty examples of slipshod,
impatient work around our old flat, like the time I knocked a chunk of the
plaster out when putting up a picture.
That wasn’t, technically, my fault, but the repair job was pretty poor. I filled in the hole and left it to dry, but
forgot to sand it down before painting over the top. There was a riddled lump in the wall for
about nine months before I realised my mistake.
This didn’t seem to put her off when we came to buying a
place. I mean, Casslee Road didn’t even
have a kitchen installed when we looked at it.
Despite our frustration at being taken for a ride by the estate agent, I
was secretly quite pleased when that one fell through. The thought of such extensive renovations
were frightening me and yet she seemed blissfully optimistic that all I needed
was a bit of practice, some YouTube videos and a plaid shirt with dungarees
combo.
Unfortunately, I’m a bit sensitive about my crapness in this
area. I feel a manly failure, but I just
don’t seem to have the aptitude for it. Or,
to be quite honest, the interest. It
isn’t genetically built into all men. I’d
rather read a book. My fiancé,
unfortunately, has seen too many feats of extremely masculine renovation to
fully believe this. Her Dad converted
their house from bedsits back to a family home (although it did take him
nineteen years). Her friend’s husband
added an extra floor to his cottage in Devon.
Me, I once built some shelves. It
took two attempts because I’m bad at reading numbers and muddled seventeen and
nineteen, but once the two centimetre slope was corrected and the holes in the
wall filled in they were okay.
In the end though, I kind of resent it because it’s keeping
me from doing something else. Usually
this: writing.
But that’s just life, isn’t it? Best to grow up and get on with it.
The reason we could afford a house rather than a flat was
that the fusty decor must have put off the other drooling, desperate buyers. The same knackered looking couples we saw
traipsing around the same properties every Saturday morning for three
months. It wasn’t blandly neutral like
so many other places we saw, but the character it did have wasn’t for us. It was going to need completely redecorating.
‘And those artex ceiling have to go,’ she said. ‘Straight away.’
Which meant getting a plasterer in. Which meant we might as well strip all the
wallpaper off and see whether the walls needed doing too. Which meant my optimistic hope that, after
the summer of homelessness, we might take things easy for the remainder of the
year evaporated. She was right. It made sense, but still a bit of me wanted
to spend some time with my books rescued from the store and a desk to write at.
On the weekend we finally got the keys, my fiancée went on a
hen do while I moved stuff in. Once all
the essentials were in, with everything else left out the way in the store, I
wondered what else I could do. I knew
she didn’t like the fitted wardrobes.
Taking them out seemed within my expertise.
That went rather well.
I quite enjoyed that. It seems my
talents may lie in destroying stuff rather than constructing it.
Afterwards came the wallpaper, on a deadline for plasterers
to quote the following weekend, we stripped the whole house in five days. In the middle of a heat wave. Sweat swum into my eyes as the steamer filled
the rooms with fog and thirty years deep of gluey mush refused to come off the
walls. It matted to our skin and every
time we thought we’d done a room, an hour later we’d see dozens of straggly
strips dangling that we’d missed.
Underneath one room’s walls we inexplicably found layers of polystyrene
as though they were trying to make a room where it was safe to bounce your head
off the wall. Eventually, like a dawning
sun the bare plaster appeared.
‘Hmmm, is pretty sheeet.’
The disadvantage of exposing all the walls – indeed of doing
any exploratory DIY - is that we now knew they needed doing. We couldn’t just ignore it and hope it went
away of its own accord.
At least we were off.
I optimistically drew up schedules for completing the work that we
immediately slipped behind. I’d spread
everything out longer and we’d still slip.
In the end I gave up; I was wasting my time. It would all take as long as it would take.
Despite my reservations I threw myself in with
enthusiasm. Or energy, perhaps if not
entirely excitement. Writing was
discarded and instead I attacked each room with gusto. I lugged the remains of the wardrobes back from
out in the garden and up into the loft to act as boards between the
rafters. I was pleased with the
recycling logic there. Physical strength
and mindless labour seemed within my skill set.
I took off and disposed of the lounge door which, with its ugly frosted
glass panes, also had to depart. I
successfully reattached the door to the study which, for reasons that elude me,
had been removed. These were small
triumphs, but each gave me a little shot of testosterone.
‘It’d be nice to put a fireplace back into the lounge.’
Okay, I thought. No
sweat. A bit of internet research and
then off to B&Q to buy a mallet, masonry chisel and crowbar. I can open up a chimney breast. It’s just smashing shit up.
After four hours I’d cleared an area about six inches wide,
three inches high and half an inch deep.
I’d created a fairly thick layer of dust on the skirting board and had
been forced to use sunglasses as substitute safety goggles after a chip of
concrete hit me just above the eye. As
the evening approached everything was a bit gloomy. And, Jesus, did my shoulder ache. Inside, I could see breezeblocks rather than
the few bricks I’d expected. I looked at
my piddly little tools. Getting those
beasts out with them was going to be impossible. I couldn’t spend four days solid hacking at
one spot. I had to go to work.
My painting was equally erratic, but at least swift. We planned to splash a couple of coats of
white undercoat on as the plaster dried to at least cut down the constant dust
cloud of new plaster that fluffed through the house. The small bedroom, which will become a study,
went up easily enough. The master
bedroom, from which we’d been relegated to sleeping in the back room for a
couple of weeks, was more problematic.
Skimping on money, we hadn’t had it plastered (aside from covering up the
swirly ceiling), but instead had decided to filler the cracks and line the uneven
walls with paper before painting over.
My natural instinct to cut corners was not best served here and even my
dedication to painting – flying home on bike immediately after work to put a
full coat on before shooting over to Peckham for dinner – was clearly
prioritising speed over precision.
We started to get it, in the end. It’s coming together. The house no longer feels like a building
site. After two months, all the walls
and ceilings are plastered and covered in a base coat. Dust no longer follows me down the road to
work. I no longer trip over buckets of
water left in the middle of the room by the plasterer. None of the upstairs doors close because
they’ve absorbed the damp of the drying paint and plaster, but that’s not a
complete disaster. There isn’t an urgent
need to work rather than write. The desk
isn’t being used as a pasting table. The
lounge is going to be taken apart again shortly as we paint it a more permanent
colour than white and install some proper book shelves rather than the flat
pack ones I’ve been carting around for a decade, but for the moment it is a
calm place to read.
It is, at last, starting to feel like home.
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