Not actually Scafell Pike - it was too wet to take photos; this is an older picture, up Great Gable in 2010 I think, but who can tell in that mist... |
It’s wet. More than
raining, moisture permeates every fabric.
My fiancée and I are hiking in the Lake District and in an otherwise
temperate spring, it is miserable. Low
cloud flushes out constant drizzle, a tent fail has left all my clothes soggy,
visibility is down to a dozen feet and a cold puddle just sloshed over the top
of my boot. We have already given up on
the idea of tackling Scafell Pike and my inability to find the path through the
murk means that Pike of Bliscoe is also looking like a washout. Soon there will be little option but to
trudge off the mountain’s shoulder, out of the valley and beat a dripping
retreat to the tent.
And the next day I turned thirty-five.
My fiancée’s good spirits are remarkable. This is not her idea of fun. Countryside retreats, to her, mean cute
cottages, tea and scones, comfy beds, sleeping in and sunshine. Instead I keep dragging her out to sodden
heathland with a wind-chill that bites the skin, breakfast crouched in the tent
porch while condensation drizzles down her neck and nothing but a hard ground
on which to rest her head. And yet she
doesn’t complain, or at least not out loud, so, on we walk.
Sunday’s fiasco, including the strain I managed to pull in
my knee on the descent, is making me feel old.
The weekend is, perhaps, like my life.
It started off with grand aspirations, before modestly heading downwards
and then, halfway round, realising that even those hopes were unachievable,
before sloping off for a shower and rethink.
Monday brought significantly better weather. The tops were clear as we trotted across the
Langdale Pikes, plus High Raise for good measure; the views panned across into
four different valleys and there was a serene beauty to the world. Still, it only took a six hour drive back to
London, during which my knee seized up, to remind me that I’ve hit halfway.
The mountains are beautiful.
I love living in London, but at times I pine to amongst the barren
remoteness. The scrag slapped cliff
faces, the endless horizon, the reflective tarns, the way the land owns us all,
it can make my breath catch on my lips, but it also drives a spike of
melancholy right through me. Its
apparent robustness betrays its real fragility and I fear for the future. As the world staggers in its electric drunk
fog of confidence towards resource catastrophe, I worry about a generation I
already don’t understand. I’m too
distant from it all, from the music, the hopes, a million apps I’ve never heard
of, to have any idea what tomorrow holds.
Just like everyone before me. This play’s script isn’t new.
When the interval curtain comes back up, things will
change. I can no longer consider myself a
young man. There are things I can no
longer do, like stay out until two in the morning and get myself coherently
into work. Wearing jeans will eventually
join the list, but already looking dishevelled is worrying rather than
endearing. I find myself concerned by
things I’d never have given a second thought to, like hip-hop. I find myself distressed by the misogynist
(and several other –ists) lyrics and, despite the funkiest of tunes, feel
embarrassed to be listening.
When I was a teenager, probably shortly after Kurt Cobain
took a shotgun to his mouth, music’s twenty-seven club seemed like a grand old
age. By twenty-seven, if you were going
to produce anything significant, you would have already done so. I began to nurse idle daydreams not only of
creative accomplishment, but where that material was driven by the dark knowledge
that time was running out. I played out
various ends for myself, drink, drugs, terminal illness, a sudden terrible
accident. None came to pass - and nor
did any writerly achievements. Instead,
seven years past the age when I expected to be a spent force, I have barely
begun.
I still, occasionally, play the fantasy of success out in my
head. Usually it’s late at night, when
I’m a little the worse for wear yet unable to sleep. The dreams no longer have a macabre twist,
but the age I am in them inches ever further forward as real life takes up my
time.
On the first full day of my thirty-fifth year I, once again,
failed to capitalise on the time gifted to me.
I took the day off, and rather than write I pissed about cleaning up the
camping equipment, took my sleeping bag to the laundrette for the first time in
a generation, read and failed to get to the heart of this piece.
‘It’s a bit optimistic,’ said my fiancée. ‘We come all this way, with just the one full
day and hope that the weather is kind to us.
And it never is.’ I grunted a
response, mildly sulking that my hopes of climbing a Scafell for the first time
in years had been beaten, again, by the country’s insistence on conforming to
stereotype. ‘Perhaps we should come for
a week. We’re more likely to have a day
when the weather is clear. We should
give ourselves more of a chance.’
She was talking about the Lake District, but it could have
been my writing or it could have been the environment. It could even have been a metaphor for life. We only get one shot at it and when the time
has passed, it’s gone. Youth, the saying
goes, is wasted on the young. Life,
perhaps, is wasted on all of us. If we
had the opportunity for a dress rehearsal, wouldn’t we give a better
performance?
Don’t get me wrong, I am not normally one for regrets. I love my life. I have a house, soon a wife, a cat, a job I
enjoy and creative outlets which, if a little like yelling into the tornado at
times, at least give me some satisfaction and yet, when I look back over my
life, what exactly have I achieved? If
it were all over tomorrow what would be left other than dust passing on the
wind?
It doesn’t mean that there isn’t a lot to still do, but it
does feel like I’ve had lunch at the summit and am now heading back down. Sure, there’ll be further, possibly even
higher, peaks to ascend and beautiful views, jokes to tell and a sense of
wonder to behold. All these things
regularly occur on the descent, but there are definitely opportunities that
have been missed and can’t be captured in the future.
All that’s left for me is the second act. And, well, maybe, an encore.
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