‘Jesus,’ I said as we walked away from the last house, ‘I
can’t see us living there.’
And yet, after our attempt to buy Montacute Road imploded, we
found ourselves at the other end of that short, dreary street.
‘Oh God,’ my girlfriend said as I parked the car. ‘It’s pebble-dashed again.’
I didn’t say anything.
We’d had a minor disagreement about pebble-dashing. While we both agreed it was clearly a stupid
thing to have ever become trendy, I didn’t think it actually mattered. How much time, after all, did you spend
looking at the outside of your house?
‘I just don’t think I could live somewhere with
pebble-dash,’ she said and so, obviously, I clambered back up onto my pious
over-righteous high horse, readying myself for another fall.
‘The problem is,’ said a friend of mine over dinner just
before Christmas who was in a similar situation in North-West London, ‘so many
of the places we end up looking at are pebble-dashed.’
‘My girlfriend says that,’ I replied. ‘She doesn’t want to live somewhere that
grey.’
‘She’s right too.
It’s damn ugly.’
Clearly I was in the minority, but all of this begs the
question: What were we doing back on
Rushford Road?
Our immediate reaction to failing to buy Montacute Road was
to, essentially, run away. Having got
ourselves nervously excited about buying somewhere we could only just afford with
far more space than we needed, when it didn’t happen we sort of interpreted it
as a blessing in disguise and so we retreated to smaller, cheaper places. Invariably needing lots of work; I mean, they
were cheap for a reason. The problem
was, being January, there still wasn’t much on the market and so there we were:
knocking on the door of the only little house up for sale that week.
It was a perfect mirror image of the previous place we’d
looked at, an inversion with only slightly better taste. The wooden panelling was on the hall, stairs
and landing rather than the dining room, but it was still there. The living and dining room were already
knocked through into one, but surprisingly didn’t make the space feel
significantly bigger. It felt narrow and
constricted. I began to wonder if three
years of living in a studio flat had distorted my memory of the rooms on
Salehurst Road. In my head the house was,
if not massive, then certainly spacious, but perhaps it was only in comparison
to the single room I’d ended up in.
The kitchen was tired.
Worn out cupboards and units hung from the walls while free standing
appliances lined up underneath the window, like they were on sale in an
architectural salvage lock-up. The
bathroom was on the ground floor reached through a sliding wicker door that
clicked and clacked as we opened it as though it might be about to come apart
in our hands. The suite was a pale
daffodil yellow streaked black that my girlfriend immediately yucked at.
Other couples mooched around making similarly disparaging
noises as though they would, if they had to, but, really, they’d rather they
didn’t.
1948: Carlos liked this house even though it wasn’t
his home. He’d been forced to leave his
real home, just outside Porto, quickly in the end. He’d thought about it ever since peace had
come to the continent, but suddenly it he’d given one angry rant too many and
it had been time for him to be on his way.
London had never been
the plan, but somehow it had drawn him in.
Its orbit was strong, even tired and battered as it was it pulled people
from all over the world to its streets and after six months of itinerant living
it was good to settle.
‘More tea, dear?’
offered Mrs Anderson, his landlady.
‘Thank you,’ he
replied even though he couldn’t really stand another cup. He was drowning in politeness, but he felt he
couldn’t offend Mrs Anderson. She had
offered him a roof and the rate for the back room was reasonable. She was a nice old lady, a little like his
mother. They shared the same eyes, the
look that had seen too much hurt. Her husband and her son had both been killed
in France. Thirty years apart, but in the
same circumstances of fire and hell.
He had been surprised
how much London still bore the scars of the bombing runs from Germany, of the
missiles launched from Holland and Normandy.
You didn’t have to walk far to come across a crevasse etched into the
street, a hole where a home should have been and you didn’t need to ask. You just knew. From the ripped open, barren centre of
Lewisham to the eerie silence that encroached opposite the town hall in New
Cross, the sudden gaps in Breakspear’s Road, Wickham Way, Gordonbrook
Road. Even out away from the centre and
the factories, the war had come home, but the city was, slowly, recovering and
a new people, a populace from across the globe had arrived to help it heal.
Upstairs the third bedroom had block blue walls and emulsion
paint gave a slick shimmering finish. In
the corner the boiler ground away noisily.
‘Should that be in here?’ my girlfriend asked.
‘I don’t think there’s any law against it, but it certainly
would be nicer downstairs.’
It obligingly spluttered and burped as it struggled on the
chilly morning to flush hot water through the building.
‘Certainly it isn’t going be conducive to sleep or
concentration.’
Outside was another concrete slab yard. At the end a short slope of bare and empty
soil looked barren. In the centre of the
slabs a solitary gnome scowled at us. His eyes seemed to follow our every
movement. His little fake hands gripping a pickaxe as though, given half the
change, he’d like to bury it into my foot.
Inside we chatted to the agent. Given that we, and presumably anyone else too,
would want to gut it, we wondered whether they would come down on the
price. Apparently not. Apparently they’d already been shafted by
someone trying to drop the price at the last minute, trying squeeze out some
blood to go with their bricks and mortar.
The vendor wasn’t in the mood to play nice with anyone.
‘Um,’ I said suddenly glancing up, ‘are those CCTV cameras?’
They were. In both
the living room and the hall, angled to both the front and the back door, video
cameras recorded every movement. The
blinking red record light had captured us being rude about the crappy seventies
gas fires and moth egg riddled carpet.
‘What the hell?’ I asked no-one in particular, leaning in
closer. In my head I imagined the vendor
watching the tape back and recoiling at the extreme close up of my nasal passage.
‘As far as I know,’ the agent covered quickly, ‘there’s
never been any trouble here.’
‘In that case, they’re just kind of creepy,
aren’t they?’
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