This was our first non-Brockley viewing, the first place
outside of SE4. St John’s is, however,
actually our closest railway station, living as we currently do on the Lewisham
borders of Brockley. That part of SE8 is
another Victorian conservation zone, less grand than the tall houses along
Brockley’s wide avenues yet more ostentatious that the two up-two down terraces
of Crofton Park. St John’s was some sort
of late nineteenth century island now isolated by the encircling seas of the
Lewisham Way, Brookbank Road, the light industry estate and the Deptford
Highway. Pretty is as pretty does though
and while the area boasts some lovely looking houses it lacks any amenities
aside from one, not particularly tempting pub.
The station might be convenient, but the infrequent service means that
it’s only useful when you’re heading for a specific train.
All generally slightly anonymous then, but, for reasons
which can’t really be explained, I had a gut feeling, a nagging from the inside
that it felt right. It was almost as
though I wanted it to be right before I’d even gone through the door. I wanted it to be easy.
It was our first experience of an open day. So poplar did the agents rate the property
that they expected it to sell in one hour on one morning. Like I said, we were still getting to grips
with how all this worked and hadn’t yet clocked that this was just another
trick to increase the impression of demand.
It was yet another rental being sold up. A two bedroom house sitting atop a basement
flat, with a narrow thin strip of a garden where you could stand, throw a stone
and it’d, maybe, land on the station. It
was also our first disagreement. I liked
it. My girlfriend thought it was
disgusting. I thought it had potential –
although I hated myself for using that phrase.
She couldn’t see past the scuzz, the battered kitchen, the deeply
aggressive turquoise of the bathroom, the blackened sheets which looked as
though they hadn’t been washed in months on sagging beds, grease patches on the
walls above crumpled and limo pillows. We
knew we weren’t buying any of this stuff, but the grime made her skin crawl as
though it was contagious.
Just as we were leaving the garden I noticed a crack in the
wall. A trench that ran up the exterior,
nestled in the crutch of the L between the main building and the entrance porch
sticking out the side. I took a picture
of it with my phone and emailed it to my Dad.
He’s a surveyor so I wanted his opinion on whether it was a problem or
not. The bigger, more immediate problem,
though, was our disagreement. The
conversation spiralled out of control until we said things we regret and,
inevitably like all arguments go, suggested that the whole enterprise was a
mistake.
I mopped for a while, upset at upsetting her, irritated by
the whole thing, the needlessness of the falling out. Even after we’d apologised and made up, it was
still there, dragging on for a few days, a point of contention neither of us
was willing to entirely cede. Eventually
the following Friday we sat upstairs in the Talbot and agreed to wander down
past the house. In the still of the
early winter evening there was a tranquillity to the quiet streets that belayed
their relative centralness; an oasis of calm under the shadows the bare branches
forming a canopy over the road opposite the house. The silence gave us a resoluteness, a
willingness to find a way through - provided the structure was sound.
1957. Hutchinson shivered despite the roaring
fire. He sat in the stiff backed
armchair he’d dragged closer to the licking flames in the hearth and
shivered. His tea sat on the incidental
table to his right, the spoon still flecked with tiny grains of sugar that hadn’t
dissolved. It was too was stone cold.
That feeling of gnawing
dread had been with him for over a week.
He’d been unable to shake it, like it would be with him until his
deathbed. He should have just ignored
it, stayed inside with Meg and the dinner, but how is one supposed to react
when it sounds like the world is collapsing.
During the war he’d
been in intelligence, a backroom boy. He’d
not been bloodied by field work and so nothing had prepared him for what he saw
that evening. With the sound of steel
bending, a creaking groan that wrapped itself around his brain, in the air Hutchinson
had walked out of the house and up the hill to the railway bridge. It was foggy, a deep densely damp fog that
made your lungs wet. His breath came in
soggy splurges. In the distance there
was shouting and the flickering of lamp lights down on the tracks.
The fog shifted, just
for a moment, as though it had yawned, and through the gap he saw the crumpled
train mess; the split tender, the burning carriage. Shapes seemed to have been thrown clear,
split out of the carriage and scattered across the sleepers. Quickening his pace he caught up with another
man heading down to the railway. It was
that chap Chadwick he’d met in the pub a couple of times saying something about
going to help.
As he
got closer the carnage became less clear not more. The shapes on the ground looked as though they
should have been people, but they were incomplete; twisted at impossible
angles. The train was not just one
train, but two. A steam engine spun from
the track, an electric unit in front compacted too small. The steam locomotive lay amongst the wreckage
of the pillars that supported bridge for the other line into Lewisham. The aching steel creased moan continued in a
soaring crescendo, rising and dipping again, soaring and then stretching out
into silence coupled with the regular chugging of the train coming towards
it. Finally, the bridge collapsed,
tearing itself down on top of the stumbling survivors and the groaning was
replaced by the screaming of brakes as the train above careered towards the
open maw and all Hutchinson could do was stare.
Hutchinson’s shiver
bought him back to his parlour and the fire.
He looked into the flames and wished he’d never gone outside. He wanted life to wash away the memory of the
unmoving bodies and worse those that had writhed in agony. He wanted to forget the dark red stains on
his hands. He wanted the wind to blow
away the musty smell of death that still hung around his house. He wanted to not see the train heading straight
for the drop every time he closed his eyes.
He’d never felt so helpless, he’d never felt so cold.
My Dad said that the crack might be something, it might be
nothing, but given that work was being undertaken on the railway bridge not a
hundred metres away it needed looking at.
He suggested I return and take more pictures.
The agents weren’t so keen even when I told them why. ‘It’s nothing, just the plaster.’
‘It’s on the exterior of the building.’
‘The vendor hasn’t informed us of any structural
problems. It wouldn’t be in his interest
to cover it up,’ he said offering far too many reasons at once to be
believable. ‘My boss lives around the
corner and he hasn’t suffered any subsidence.’
‘This isn’t a negotiating position. If there’s a problem, I can’t afford to fix
it so I’ll be out. If it’s nothing, I’m
interested in making an offer. I just
want to take some more photos and get an indicative opinion.’
‘You want to see it again?
No-one sees anywhere more than once these days.’
Eventually, almost a fortnight later, they let me back
in. My girlfriend didn’t come. I went in and took my pictures, including of
the interior where I noted that the crack was reflected on the inside. The agent went to move his car from where he’d
illegally parked, leaving me alone in the empty house. I took the opportunity for a bit more of nose
around. The tenants had clearly tidied
up before our previous visit and their normal living state was even grimmer. Several days’ worth of dirty dishes were
across the kitchen surfaces. The bedrooms
were filled with scattered underwear. In
every corner, in every room was a set mouse trap. On the way out, I noticed the state of the
flat below. Bars on the windows. The letter box hanging off the door. Stacked torn rubbish bags just outside the
entrance, their contents spilling out onto the steps up to street level.
‘Don’t bother,’ my Dad said.
‘Maybe it’s nothing and you’d need a structural engineer’s report to be
sure, but it looks like the entrance hall is coming away from the main
building. It might need underpinning.’
‘There’s nothing wrong with it,’ protested the agent when I
passed this on. Shortly afterwards we
noticed the asking price being lowered.
The morning of the day when I write this, I saw a to let sign
outside. The photos on the agent’s
website were the same ones used to tempt us.
No-one had bought the bluff. The
railway works have almost finished, but the house still sits at an awkward
angle.
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